a drive through Gotthard Road Tunnel
First played at (and produced for) my solo show Wrong Step at Percival Space, Oslo.
Vocals by Linda Spjut.
http://martinkohout.com
http://soundcloud.com/linda_spjut
http://www.percivalspace.com
New video for Palermo.
music: soundcloud.com/p-a-l-e-r-m-o
video & moves: martinkohout.com
2013渣打馬拉松SOGO(09:30-12:40) (by cheungwhjohn)
http://soundcloud.com/densinghour/densinghour-vol-36-by-t-c-f
Andy Stott – Execution
Tim Hecker – Music for Tundra
Emptyset – Collapse
Emptyset – Armature
Stian Westerhus – The Matriarch
Robert Babicz – Battlestar
Fire! with Jim O’Rourke - Certainly those older and released
Matthewdavid - Colours In Your Mind
Daniel Menche – Apostate
Atom™ - Winterreise
John Cage - Imaginary Landscape No. 4 (March No. 2)
Ophidian - Butterfly (Interlude)
Karlheinz Stockhausen – Étude
Pierre Henry – Astrologie
Grischa Lichtenberger - Rearr Re
Grischa Lichtenberger – Globalbpm
Ikonika and Optimum – Hum
Tim Hecker & Daniel Lopatin – Vaccination No. 2
John Cage – Williams Mix
Edgard Varèse - Poème Electronique
François Bayle - Espaces Inhabitables, V.
François Bayle - Camera Obscura
Bernard Parmegiani - Exercisme 3
DJ Rashad - Go Crazy
Pierre Schaeffer - 5 Etudes de Bruits; Violette
DJ Rashad - Teknitian
Pierre Henry & Pierre Schaeffer - Symphonie pour un homme seul, XI
Barry Truax - The Blind Man
Ssaliva - ADFH11
Trevor Wishart - Vox-5
Dynooo - No Scrubb
Jenny D Light - Scratch (Mackin Tox Remake)
Peter Rehberg - Boxes & Angels
Ake Parmeud - Yan (Percussion & tape)
TCF - d1c3cdcb5345345c85864a9ca375bb0dd1d0877bd28a271f65964cc1ec8c
TCF - d1c3cdcb5355c85864a9ca375bb0dd1d08a67bd28a271f65964cc1ec8c
Pete Swanson - Remote View
Rene Hell - Meta Concrete
TCF - 345jhjkh53g4gc85864a9ca375bb0dd1d08a64b468a271f65964cc1ec8c
Leviathan Trailer July 2012
(by Sensory Ethnography Lab)
A Crime Against Art (Madrid Trial)
A film by Hila Peleg
“A Crime Against Art” is a film based on the trial staged at an art fair in Madrid in February 2007 organized by Anton Vidokle and Tirdad Zolghadr. Inspired by the mock trials organized by André Breton in the 1920s and 30s, it playfully raises a number of polemical issues in the world of contemporary art: collusion with the “new bourgeoisie,” instrumentalization of art and its institutions, the future possibility of artistic agency, as well as other pertinent topics.
(via funny-pictures-uk)
Leos Carax: Merde
(such an evergreen)
(Source: vimeo.com)
Friedrich Nietzsche: The Four Great Errors, article 7
7
The error of free will. Today we no longer have any tolerance for the idea of “free will”: we see it only too clearly for what it really is — the foulest of all theological fictions, intended to make mankind “responsible” in a religious sense — that is, dependent upon priests. Here I simply analyze the psychological assumptions behind any attempt at “making responsible.” Whenever responsibility is assigned, it is usually so that judgment and punishment may follow. Becoming has been deprived of its innocence when any acting-the-way-you-did is traced back to will, to motives, to responsible choices: the doctrine of the will has been invented essentially to justify punishment through the pretext of assigning guilt. All primitive psychology, the psychology of will, arises from the fact that its interpreters, the priests at the head of ancient communities, wanted to create for themselves the right to punish — or wanted to create this right for their God. Men were considered “free” only so that they might be considered guilty — could be judged and punished: consequently, every act had to be considered as willed, and the origin of every act had to be considered as lying within the consciousness (and thus the most fundamental psychological deception was made the principle of psychology itself). Today, we immoralists have embarked on a counter movement and are trying with all our strength to take the concepts of guilt and punishment out of the world — to cleanse psychology, history, nature, and social institutions and sanctions of these ideas. And there is in our eyes no more radical opposition than that of the theologians, who continue to infect the innocence of becoming by means of the concepts of a “moral world-order,” “guilt,” and “punishment.” Christianity is religion for the executioner.
